Greek-Hellenistic Collection


Various artefacts of ancient Greek civilization, either purchased, donated or found by chance on the Central Dalmatian islands and on the coastal belt, were recorded in the Museum’s very first inventory logs. Originally systematized in the Antiquities Section, then in the Greco-Illyrian Collection, and finally, as of 1993, in the Greek-Hellenistic Collection, it today consists of over 5,200 registered items. The Archaeological Museum in Split thus holds the oldest and largest inventory of objects originally discovered in Dalmatia which are from all phases of Greek art (Archaic, Classical and Hellenistic), giving this collection particular value.

The collection’s first curator, until 1972, was archaeologist and one-time Museum director Mladen Nikolani. He was succeeded by Branko Kirigin, also a former director and today a retired Museum advisor, who continued to administer and expand the collection until 2012. The collection’s inventory was significantly enriched by many years of archaeological rescue excavations in the town of Vis (ancient Issa) on the eponymous island, where two ancient urban necropolises were discovered and explored at the Martvilo and Vlaška Njiva sites. This prompted the Museum to establish the Issa Archaeological Collection in 1983, and it is today on display in the Battery building in Vis.

From 1992 to 1997, Kirigin’s Adriatic Islands Project gathered a multinational team of researchers who conducted reconnaissance and excavations on the islands of Šolta, Brač, Hvar, Vis, Biševo, Lastovo and especially Palagrža, where they systematically examined a temple dedicated to the Greek hero Diomedes. An immense amount of archaeological materials covering an extensive chronological framework was gathered.

Most of the artefacts in the Greek-Hellenistic Collection are types of entirely preserved ceramic vases and other vessels, mostly from the Hellenistic era, discovered during excavations in the city necropolis at Martvilo in Vis (ancient Issa). Other objects came from the old town on the island of Hvar (ancient Pharos), Solin (ancient Salona), Stobreč (ancient Epetion), Vid near Metkovic (ancient Narona), Budva (ancient Buthoe), Karin (ancient Corinium), Kaštel Sućurac, Mutogras, the island of Brač, etc.

Visitors can see more than 90 stone, ceramic, metal and glass objects dated from the 6th to 1st centuries BC in the Museum’s lapidarium and permanent display.

The lapidarium, or stone monument collection, contains public inscriptions in stone and architectural fragments: gravestones found in the south-western necropolis of ancient Issa, the public inscription/rescript of a decision issued by Julius Caesar from Salona, a dedicatory inscription mentioning a hieromnamon and priestess from Kaštel Sućurac, the base of a cult vessel from Salona and marble lining from a temple or mausoleum in Issa. A marble relief from Narona with the image of a dancer is exhibited in the Museum’s atrium. In the Large Hall, the collection has been arranged chronologically and topographically and is displayed in three cases. Objects from the Archaic and Classical periods and Pharos are exhibited in the first. Items from Issa and other, mostly Central Dalmatian, sites are exhibited in the second and third. Painted and ornamented ceramic vases (Black and Red Figure ware, imported and local Gnathian ware, late Hellenistic ware), terracotta statues, stucco sculptures, gold jewellery, glass unguentaria, amphorae and a gravestone dedicated to the hero Kallias, which is also the oldest Greek inscription in verse found in Croatia.

The artefacts from the Greek-Hellenistic Collection confirm various facets of the political, economic, social and religious life of Greek colonists in Dalmatia and at the same time their adaptation to and influence on local circumstances. The accompanying photographs, maps and explanatory texts give visitors greater insight into the spread of Greek civilization on the Eastern Adriatic seaboard, with emphasis on the establishment of and life in the Greek settlements of Issa and Pharos.

Timasion family gravestone

Timasion family gravestone

  • beginning of 2nd century – mid-1st century BC

  • Vis (ancient Issa), south-western necropolis (Martvilo)

  • limestone

  • height 172 cm, width 65 cm

    A family gravestone (stele) in the form of a temple façade; it features closed doors borne by two fluted columns with a key (or knocker) on them which likely symbolize the entrance to the underworld. A moulded gable with a five-petal rosette in the middle is set above the columns. The names of the deceased, three women and five men, family members whose relationships are impossible to precisely ascertain, are carved onto the monument. The first deceased was probably the name carved in larger letters, in the second line, below the architrave beam: Timasion, son of Dionysius.

Public inscription - Caesar's rescript

Public inscription - Caesar's rescript

  • 56 BC

  • Solin (ancient Salona), near Porta Caesarea

  • limestone

  • height 43 cm, width 45 cm, thickness 8.5 cm

    This piece of a public inscription is preserved only fragmentarily, because it had already been recarved and repurposed in the Roman era, and was being used as the lid for a wastewater drain on a street. The inscription contains the text of a rescript of a decision made by Julius Caesar, dated on the basis of the Roman consuls Lentulus Marcellinus and Lucius Marcius Philippus and the Issaean high priest, the hieromnamon Zopyros. From the inscription we learn that in the spring of 56 BC, an Issaean mission, which included native Tragurians, had an audience with the governor of Illyricum at the time, Gaius Julius Caesar, to advocate for the interests of their polis. Parts of the inscription indicate that besides the inhabitants of Tragurium and Epetion, the local Iadasines also participated in the negotiations and that at the time, Issa was an autonomous, free polis, an official ally and friend of the Roman people.

Fragments of relief with dancers

Fragments of relief with dancers

  • mid-2nd century BC – second half of 1st century BC
  • Vid near Metkovic (ancient Narona)
  • Proconnesian marble
  • right fragment: length 98 cm, height 45 cm; left fragment: legnth 130 cm, height 45 cm; total length 228 cm

Two fragments of a relief depicting eight dancers in a row in different poses, possibly a depiction of the Emmeleia that was performed during tragedies in ancient Greek theater. The figures in the relief are likely Nymphs, a lower order of mythical being. The relief may have been part of the architectural ornamentation of a cult structure or mausoleum. Why the heads and hands of the dancers are missing is unclear, as is the purpose of the slots between their hands.

Pyxis

Pyxis

  • Early 6th century BC

  • Solin (ancient Salona)

  • ceramic

  • height 8.9 cm, diamater 9 cm

    This pyxis (a cosmetics vessel) with lid is attributed to the PRK painter. Various animals are engraved or painted on the vessel’s lid and belly: a goat, tigers, a donkey and a duck. The vessel was imported from Corinth.

Bracelet

Bracelet

  • 6th-4th century BC

  • Solin (ancient Salona)

  • gold

  • width 7 cm, thickness 3 cm

    This bracelet is circular in section and has ends terminating in lion’s heads facing each other with jaws agape and tongues out, bordered by a row of granules. The bracelet may have been made in Asia Minor.

Weights

Weights

  • end of 5th - 1st century BC

  • find site unknown

  • lead

  • Weight 1: height 4.8 cm, length 4.5 cm, thickness 1 cm, weight 270.21 g

  • Weight 2: height 5 cm, length 4.6 cm, thickness 7 mm, weight 201.52 g

  • Weight 3: height 4.4 cm, length 4.2 cm, thickness 1 cm, weight 219.13 g

  • Weight 4: height 3.2 cm, length 3.2 cm, thickness 8 mm, weight 81.99 g

  • Weight 5: height 2.6 cm, length 2.6 cm, thickness 8 mm, weight 55.5 g

    Five square Greek lead weights which, based on the uniformity of style, symbols, legends and weights, undoubtedly belonged to the Attic metrological system. They bear relief images of amphorae, terrestrial turtles, a crescent moon and half of a cresent moon, which is the standard repertoire of the symbols of the Athenian Regular Weight System from the Late Archaic to Late Hellenistic periods. Besides these symbols, three also bear legends with the marks of third and quarter stater denominations (tritemorion and tetartemorion). Neither their place of origin nor the archaeological context in which they were found is known; thus far, these are the sole examples of such weight in the western Mediterranean.

Oenochoe

Oenochoe

  • 4th – beginning of 3rd century BC

  • Vis (ancient Issa), south-western necropolis (Martvilo)
  • ceramic

  • height 29 cm, diameter of spout 10 cm, diameter of belly 13.5 cm

    This oenochoe (wine jug) is decorated with a black gloss; the belly is ribbed with painted white dove motifs (symbols of Aphrodite) framed by a red ribbon, yellow palm fronds and ivy motifs (symbols of Dionysus). The vessel is an example of Gnathian ware, in the so-called Alexandria group, which was produced in Taranto in southern Italy (ancient Taras). Gnathian ware was quite popular and valued during the Hellenistic era, and also made in ancient Issa.

 Gravestone dedicated to the hero Kallias

Gravestone dedicated to the hero Kallias

  • 4th century BC

  • Vis (ancient Issa), Dojmi Collection

  • limestone

  • height 34 cm, width 26 cm, thickness 7.5 cm

    The tombstone (a stele or titulus) features the oldest Greek inscription in verse ever found in Croatia. In its four lines, the inscription written in the Ionian dialect honours the hero Kallias, who died in a naval battle against the Illyrians and left behind a son, Harmo. Given the content of the text and a monument that is unusual in relation to other Issaean gravestones from this era, it is plausible that Kallias was slain during the establishment of ancient Pharos (today’s Stari Grad), the Parian settlement on the island of Hvar. His body would have therefore been lost at sea during the battle, so it is appealing to presume that this was a cenotaph, a monument installed over an empty grave.

Terracotta depicting Eros and Psyche

Terracotta depicting Eros and Psyche

  • 3rd-2nd century BC

  • Vis (ancient Issa), south-western necropolis (Martvilo), grave 4

  • ceramic

  • height 30 cm, width 15 cm; base: length 8.6 cm, width 3 cm, height 4 cm

    A terracotta showing youthful and nude winged Eros embracing and kissing a partially disrobed winged Psyche. The wings of Eros are richly rendered in lowered position with the traits of bird wings, while Psyche’s wings are raised and resemble those of a butterfly. This terracotta has no close parallels, so it is considered to a local product. The motif of the Eros and Psyche was quite widespread in the Hellenistic era, especially on painted vases, and was also present throughout the Roman era, for example as a metaphor for death on sarcophaguses.

Earring

Earring

  • Hellenistic era

  • Brač

  • gold

  • height 3.2 cm, height win pin 3.9 cm

    An earring in the form of a stylized naked winged Eros holding part of a staff in his right hand and, in his left hand, a rosette-shaped container with petals and a dome-shaped bulge, decorated with in the granulation technique. Two bands of multiply braided wire run over both shoulders and diagonally cross over the entire length of his body, with a round medallion at their intersection. This type of gold earring was rather popular throughout the Mediterranean during the Hellenistic era. In the collection, Several more examples which are variations of the same type of earrings found in Budva, Vis and Solin (Majdan) are exhibited in this collection.